Canon EF 70-200 mm f/2.8 L USM Lens (Non Image Stabilised)

Product Information

The aperture range goes from f/2.8 to f/22. And the max f/2.8 aperture is constant throughout the zoom range. That gives you excellent freedom with your exposure controls. And you get better results in low-light situations.

The autofocus performance is unrivaled. The two Ultra-Sonic Motors make it fast and responsive. You really appreciate the speed when working with fast-moving subjects. And that makes it a great zoom lens for wonderful wildlife photography. Most importantly, for those who can afford the latest version, we found that in our lab tests that optical performance has been noticably improved. Seeking the best printer for your business? Hit your productivity targets with inkjet and laser printers that are a perfect fit for any workspace – including home offices. The Panasonic Lumix S Pro 70-200mm f/4 is an outstanding telephoto zoom. It’s compatible with Panasonic Lumix full frame cameras. It’s a beautifully constructed and rugged piece of photography equipment. And it has top features like image stabilization.

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The autofocus is driven by a Hyper-Sonic Motor (HSM). It’s fast and reliable but barely makes a sound. And you have a full-time manual override option. This adds a new dimension to the lens, expanding creative possibilities and allowing creators to explore the world of macro photography, while also achieving higher quality results. It’s safe to say image quality is superior to the first generation in every aspect. Sigma's Sports designation for the 70-200mm F2.8 indicates it's ready for action, for everything from wedding receptions to sideline photography. The lens features dust and splash protection for work outdoors in inclement conditions, and its front element has a fluorine coating that repels water droplets. The internal zoom further cements the 70-200mm Sports' pro-grade zoom caliber. This type of design draws in less air during zooming actions, so there's less chance of dust getting pulled into your camera versus with a telescoping lens.

FE 70-200mm F4 Macro G OSS II: In the Lab

This robust L-series 70-200mm telephoto zoom lens is a favourite with professional photographers, a modern classic redesigned, it’s now even better in bright light and engineered to perform in the most challenging conditions. A maximum f/2.8 aperture offers plenty of control over depth of field and – in combination with a 3.5-stop Image Stabilizer to counteract natural camera shake – makes low-light photography simple. Image quality is excellent, with superb sharpness right across the frame, a great choice for our highest resolution EOS cameras. Benefits The panel also has switches for the stabilization—you can turn it on or off, or swap among Mode 1, 2, or 3. Use Mode 1 for static shots, Mode 2 for panning, and Mode 3 for scenarios in which you need to move the camera in all different directions to keep up—a tennis match is a classic example. These modes were very effective in testing. As said above, there are many choices in this focal length with the Sony 70-200mm f/2.8 G-Master and Tamron 70-180mm f/2.8 G2 being the best options in E-mount. In L-mount, the main alternative is the even heavier Panasonic 70-200mm f/2.8. Should You Buy It? Percentage increase and decrease are calculated by computing the difference between two values and comparing that difference to the initial value. Mathematically, this involves using the absolute value of the difference between two values then dividing the result by the initial value, essentially calculating how much the initial value has changed. An optical image stabilization system is also built into the lens. It gives you 3.5 stops of shake reduction. That allows you to shoot with a slower shutter speed. And that means you get even better low-light performance.

Old and new. The Canon EF 70-200mm F2.8 L IS II USM (left) and the Canon RF 70-200mm F2.8L IS USM (right). The maximum aperture is slow at f/4. That doesn’t give you the same exposure options as some other lenses. But low-light performance is improved by Sony’s OSS stabilization. It reduces signs of camera shake, giving you sharper images. On July 12, 2023, Sony made a significant announcement by launching two highly anticipated products, with the first being the flagship Sony A6700 APS-C format camera, alongside the Sony FE 70-200mm f/4 G OSS II lens. This launch highlights Sony's ability to provide cutting-edge technology while meeting the evolving needs of photographers. However, these lenses are designed for pros, and as such they tend to come with hefty pro-level price tags. If you're looking for something a little more budget-friendly, 70-200mm f/4 lenses can also be a good choice. They have the advantage of being lighter to carry, so can be a great choice for keeping your kit relatively lightweight and mobile. Some 70-200mm f/2.8 lenses, as we'll see, are seriously hefty bits of kit! The f/4 max aperture isn’t the fastest. But it is constant throughout the zoom range. That means you don’t lose any performance when you zoom in. The optical image stabilizer also compensates for the slow aperture. Combined with the image stabilization found in Panasonic Lumix cameras, it gives you six stops of compensation.

Overview

Canon has good reason to be proud of their latest addition in its trinity of fast aperture, high performance RF lenses. Not only does it uphold the robust build quality and exemplary performance that Canon L-series lenses have gained a high reputation for, they’ve succeeded at making it smaller and lighter than any pro-spec full-frame 70-200mm f/2.8 zoom we’ve tested before without compromising on image quality. The sharpness that’s resolved into the corners is a real strength of this lens and so is the space saving it offers, which will be appreciated by those who like to travel. The magnification of a 70-200mm lens gets you closer to distant subjects. You can get close to sports players from the sidelines. And you can take pictures of animals without startling them or putting yourself in danger. We’re impressed with the sharp optics. There’s no aberration or distortion at any point in the zoom range. And several elements have a Sub-Wavelength Coating (SWC). This special coating reduces flare and ghosting, improving image quality further.

In mathematics, a percentage is a number or ratio that represents a fraction of 100. It is one of the ways to represent a dimensionless relationship between two numbers; other methods include ratios, fractions, and decimals. Percentages are often denoted by the symbol "%" written after the number. They can also be denoted by writing "percent" or "pct" after the number. For example, 35% is equivalent to the decimal 0.35, or the fractions . A key attraction of choosing an f/4 zoom over an f/2.8 is that it’s likely to be more compact and lightweight. That was certainly true of the original Sony lens and the Mark II takes downsizing a step further, shaving 15 per cent off the length and 46g off the weight.

Canon RF 70-200mm F2.8L IS USM review: Image Quality

I have to give Sigma props when it comes to video situations. This lens has effectively no breathing whatsoever. The field of view stays the same when focusing from near to far, and only the Panasonic 70-200mm f/2.8 competes in this regard. In other words, the ratio of 25 males to students in the classroom is equivalent to 50% of students in the classroom being male. Percentage formula The best aperture for a 70-200mm lens is f/2.8. It gives you excellent exposure control. And you can achieve beautiful bokeh. Another common maximum aperture is f/4. It’s not as fast, so you don’t get the same low-light performance. But it still gives you good exposure options. Image Stabilization The lens uses several glass coatings to keep distortion and flare to a minimum. The Aero Bright Coating II reduces light reflections. This allows you to work in bright light with no signs of flare or ghosting. The newer Sony 70-200mm f/4 Mark II lens unquestionably offers several brilliant upgrades, solidifying its position as a comprehensive improvement over its predecessor. Notably, it stands out for its close focusing distance and high magnification, which caters directly to enthusiast and professional photographers who value lenses capable of capturing close-up shots with exceptional detail. It’s also the lightest model by quite a margin, which is a benefit most photographers will thoroughly enjoy from day one. Best accessories for the Sony 70-200mm f/4 G OSS II Lens